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any rock musicians?

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[Quote] #81
15 Aug 2007 06:15 pm
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It’s wonderfully dark and complex. I love it. Great projection too.

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[Quote] #82
15 Aug 2007 06:23 pm
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DrumIntoTheNight wrote: It’s wonderfully dark and complex. I love it. Great projection too.


Hmm so you can play different stuff now that you have it right? I wish I knew what each one of these sounded like so I could distinguish whats being played when I listen to the actual music.

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[Quote] #83
15 Aug 2007 06:38 pm
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I suppose so, but the choice of crash cymbal doesn’t make much of an impact on what type of music you play. The choice of Ride cymbal has a bigger effect though. It’s hard to explain.

For example, I use a Paragon Ride which sounds like this. You can hear each individual stick hit, right? And there’s very little wash. This makes it perfect for rock and metal.

However, I couldn’t use it for Jazz; it would just be out of place. Something more like this, a HHX Manhattan Jazz Ride, would be more suitable, as it’s got a good degree of wash, which makes a kind of background noise that Jazz artists build their sound upon.

With those two clips, the more 'pingy', louder sounds you hear are hits on the 'bell' of the cymbal.

And just for reference, here’s sound clips of a few other basic cymbals:

Crash - HHX 17” Studio Crash
Splash - HHX 10” Splash
Chinese or China - HHX 20” China

Obviously, cymbal sounds vary massively between brands and lines within brands. Some sound like trashcan lids, some are awesome. It takes a long time and a lot of playing to be able to tell the difference between some though.

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[Quote] #84
15 Aug 2007 07:01 pm
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DrumIntoTheNight wrote: I suppose so, but the choice of crash cymbal doesn’t make much of an impact on what type of music you play. The choice of Ride cymbal has a bigger effect though. It’s hard to explain.

For example, I use a Paragon Ride which sounds like this. You can hear each individual stick hit, right? And there’s very little wash. This makes it perfect for rock and metal.

However, I couldn’t use it for Jazz; it would just be out of place. Something more like this, a HHX Manhattan Jazz Ride, would be more suitable, as it’s got a good degree of wash, which makes a kind of background noise that Jazz artists build their sound upon.

With those two clips, the more 'pingy', louder sounds you hear are hits on the 'bell' of the cymbal.

And just for reference, here’s sound clips of a few other basic cymbals:

Crash - HHX 17” Studio Crash
Splash - HHX 10” Splash
Chinese or China - HHX 20” China

Obviously, cymbal sounds vary massively between brands and lines within brands. Some sound like trashcan lids, some are awesome. It takes a long time and a lot of playing to be able to tell the difference between some though.



Hmm I see what you are saying. Thanks for sharing that.

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[Quote] #85
15 Aug 2007 07:05 pm
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It’s a surprisingly complicated world, cymbals.

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[Quote] #86
15 Aug 2007 09:50 pm
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You ever see a Ribbon Crash?

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[Quote] #87
15 Aug 2007 09:58 pm
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Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me.
(Psalm 23:4)
[Quote] #88
16 Aug 2007 04:32 am
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Yeah, Zildjian released some a few months back. Weird.

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[Quote] #89
17 Aug 2007 03:16 pm
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Yep.

I’m not really sure how you’d use it.

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Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me.
(Psalm 23:4)
[Quote] #90
17 Aug 2007 03:25 pm
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Me either. I think it’s more of a percussion rig thing. They look massively breakable too.

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[Quote] #91
18 Aug 2007 12:45 am
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Yeah, we’re supposed to use one in marching band.

We used something else that we handmade.

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Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me.
(Psalm 23:4)
[Quote] #92
18 Aug 2007 03:07 pm
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Maggot Face wrote:


Wow those things look sortof cheap and crappy.

[Quote] #93
18 Aug 2007 03:12 pm
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They look sexy to me....

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[Quote] #94
18 Aug 2007 03:14 pm
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Doesn’t look like you would be able to do much with them though.

[Quote] #95
18 Aug 2007 03:16 pm
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eh, Im no drummer, so I wouldnt know.

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[Quote] #96
18 Aug 2007 03:21 pm
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Yeah... I went to guitar lessons today and we listened to some Ozzy and I learned how to play the song “I Don’t Wanna Stop” or some of it at least.

The very beginning part.

Then I learned about the harmonic chords or whatever.

[Quote] #97
18 Aug 2007 03:21 pm
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You mean harmonics, where you put your finger on top of a fret without pressing down?

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[Quote] #98
18 Aug 2007 03:31 pm
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fuckyfuckerfuckingmcfuckfuck69 wrote: You mean harmonics, where you put your finger on top of a fret without pressing down?


Yeah yeah. *smacks forehead* I forget words and stuff alot. I like Zack Wildes style of playing... he uses harmonics alot.

How do you spell his name again? He’s the lead guitarist from Black Sabbath... damn i’m an idiot. I can’t remember anything...

[Quote] #99
18 Aug 2007 03:35 pm
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Deathspartan117 wrote:
fuckyfuckerfuckingmcfuckfuck69 wrote: You mean harmonics, where you put your finger on top of a fret without pressing down?


Yeah yeah. *smacks forehead* I forget words and stuff alot. I like Zack Wildes style of playing... he uses harmonics alot.

How do you spell his name again? He’s the lead guitarist from Black Sabbath... damn i’m an idiot. I can’t remember anything...

Tony Iommi is the guitarist from Sabbath. Zakk Wylde is Ozzy solo guitarist. And he also uses alot of pinch harmonics, which are fucking awesome.

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[Quote] #100
18 Aug 2007 03:38 pm
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Yes pinch harmonics... lol. Told you I forget words alot. God damn i’m retarded...

Yeah Zakk Wylde is pretty awesome. I absolutely LOVE pinch harmonics though I rarely hear them.

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